Al :: Essays Papers

Al â€Å"Alphonse Capone was born on January 17,1899 in Brooklyn New York to Gabriele, who was thirty years old, and his pregnant twenty-seven-year-old wife Teresina, his two-year-old son Vincenzo and his infant son Raffaele (Bergreen 1996 p.7).† Capone grew up in a rough neighborhood by the time he was eleven he was in two gangs one was the kids gang the brooklime rippers and the forty thieves juniors. Capone quit school in sixth grade at the age fourteen. Between scams, he was a clerk at a candy store, a pin boy at the bowling alley and a cutter in a bookbindery; later on he became part of the notorious five points gang in Manhattan. Capone was once a bouncer at the Harvard Inn for Frankie Yale. Capone got the nickname scar face from an incident he had at the Inn where he insulted a female patron and was attacked by her brother. The attack left a scar on Capone’s face. Capone met an Irish girl in 1918 named Mara (Capone nicknamed her Mae) at a dance. On December 4th Mae gave birth to their son Albert â€Å"Sonny† Francis Capone, and on December 30th they married (Kobler 1992 p.20). The first time Capone was arrested he was charged with disorderly conduct and the murder of two men, Capone was never tried for the murders. Yale sent Capone to work with his old mentor John Torris, who was working for his uncle, â€Å"Big Jim† Colisimo. Colisimo was a Chicago crime boss. When Colisimo forbade Torris from running a bootleg racket, Torris decided to eliminate his uncle. Torris saw Capone’s potential and soon Capone was helping Torris manage his bootlegging business. By 1922 Capone was Torris’s right hand man and became a full partner in his businesses, which included saloons, gambling houses and brothels. Torris was shot by a rival gang member and decided to leave Chicago. Capone became a major crime boss, the men trusted Capone and he proved to be a better business man and expanded his business holdings and now controlled night clubs, horse tracks, breweries, brothels and gambling houses there were reports that said his income was $100,000,000 a year. He also got a cleaning and drying plant chain in Chicago. The mayor also known as big bill Hale Thompson Jr said that Capone was bad for his political image so he ran him out of Chicago (Tully 1958 p. Al :: Essays Papers Al â€Å"Alphonse Capone was born on January 17,1899 in Brooklyn New York to Gabriele, who was thirty years old, and his pregnant twenty-seven-year-old wife Teresina, his two-year-old son Vincenzo and his infant son Raffaele (Bergreen 1996 p.7).† Capone grew up in a rough neighborhood by the time he was eleven he was in two gangs one was the kids gang the brooklime rippers and the forty thieves juniors. Capone quit school in sixth grade at the age fourteen. Between scams, he was a clerk at a candy store, a pin boy at the bowling alley and a cutter in a bookbindery; later on he became part of the notorious five points gang in Manhattan. Capone was once a bouncer at the Harvard Inn for Frankie Yale. Capone got the nickname scar face from an incident he had at the Inn where he insulted a female patron and was attacked by her brother. The attack left a scar on Capone’s face. Capone met an Irish girl in 1918 named Mara (Capone nicknamed her Mae) at a dance. On December 4th Mae gave birth to their son Albert â€Å"Sonny† Francis Capone, and on December 30th they married (Kobler 1992 p.20). The first time Capone was arrested he was charged with disorderly conduct and the murder of two men, Capone was never tried for the murders. Yale sent Capone to work with his old mentor John Torris, who was working for his uncle, â€Å"Big Jim† Colisimo. Colisimo was a Chicago crime boss. When Colisimo forbade Torris from running a bootleg racket, Torris decided to eliminate his uncle. Torris saw Capone’s potential and soon Capone was helping Torris manage his bootlegging business. By 1922 Capone was Torris’s right hand man and became a full partner in his businesses, which included saloons, gambling houses and brothels. Torris was shot by a rival gang member and decided to leave Chicago. Capone became a major crime boss, the men trusted Capone and he proved to be a better business man and expanded his business holdings and now controlled night clubs, horse tracks, breweries, brothels and gambling houses there were reports that said his income was $100,000,000 a year. He also got a cleaning and drying plant chain in Chicago. The mayor also known as big bill Hale Thompson Jr said that Capone was bad for his political image so he ran him out of Chicago (Tully 1958 p.

What are Anabolic Steroids? :: essays research papers

What are Anabolic Steroids? Anabolic steroids - or more precisely, anabolic/androgenic steroids - belong to a group known as ergogenic, or so-called "performance-enhancing," drugs. They are synthetic derivatives of testosterone, a natural male hormone. "Anabolic" means growing or building. "Androgenic" means "masculinizing or generating male sexual characteristics. Most healthy males produce between 2 and 10 milligrams of testosterone a day. http://www2.msstate.edu/~jnd2/index.html Reasons for Steroid Use The most common reasons people use anabolic steroids are to: increase muscle mass increase strength train harder reduce the recovery time needed after training Some people believe the benefit from taking steroids is physiological, they make people feel that they are stronger or faster. Others believe that they make people feel that they are more aggressive and so they are able to train harder. Steroid Usage Among Teenagers Steroid usage has often been stereotyped to football players, weightlifters and bodybuilders. New research suggests that this is far from true. Instead, most heavy steroid users are middle class white males, 35% of which do not intend on participating in sporting events. 26% of high school age steroid users cited personal appearance as their primary motive for using the drug. These new trends in steroid use have been attributed to the "new male image" that is being splashed throughout advertisements and magazines. Teenage males develop a desire for the lean, mean and muscular look exemplified by Calvin Klien models and others. The quickest way to success is through anabolic steroids. Many of these teenagers will risk possibility of the side effects associated with steroid usage in exchange for respect. Despite massive weight and muscle gains, many steroid users are never quite happy with their physique. This condition is being labeled as "reverse anorexia" by psychologists and doctors. "I have seen a kid gain 100 pounds in 14 months and still not be satisfied," reports Neil Carolan of BryLin Hospital in Buffalo. Carolan has counseled over 200 teenage steroid users. Arnold Schwarzenegger, once a steroid user himself, addresses the issue of teenage steroid use. "Teenagers should never take anabolic steroids in an attempt to build up the size and strength of their muscle structure. During the teenage years, young males are already in their most anabolic state, with testosterone flooding the system. Adding synthetic anabolic at this point is totally unnecessary." history Greek Olympians used strychnine and hallucinogenic mushrooms to "psyche up" for an event. In 1886 a French cyclist was the first athlete to die from using a performance enhance, called speedballs, a mixture of cocaine and heroin. In the 1920's, physicians inserted slices of monkey testicles into male athletes to help

Can a Person Really Make Up for Past Mistakes?

CAN A PERSON REALLY MAKE UP FOR PAST MISTAKES? No one can erase the past. When a mistake is made, whether it be huge or small ,it can damage us for life or make us stronger. Mistakes can be positive by learning from them and passing on advice to others. It is the way we learn. Starting as an infant. When an infant starts to walk he falls then he learns not to walk too fast and to put one foot beside the other. This is the way coordination is developed by mistakes. As a child matures he learns physical hurt.When the stove is on and he touches it when he gets burnt Most children will not intentionally touch a hot stove. When trying to do something for the first time very few will do it perfect. I do not know of any cases but I am sure it has happened. People can be sorry for their mistakes. Some may excel other areas in order to compensate for past mistakes. This can be a way to suppress the guilt. The sub-conscience is telling the body to keep busy because the pain felt from the mista ke is too hard to think about.If people keep doing the same mistakes over and over again on purpose it defeats the whole aspect of mistakes being a positive experience. It can resulting a habit that may be accepted as a part of life. Some mistakes are harder to learn from the others. Most mistakes, if recognized and thought about are solvable. Mistakes and sin are not the same. A sin is much worse than a mistake although they are both wrong and everyone does both. A sin has to do with spirituality and can only be forgiven by God.A sin can be anywhere from an intentional wrong to pure wickedness. A mistake is a misconception of actions or a misinterpretation of words. Humans can forgive mistakes. Mistakes can be turned into sins by rationalization and convincing oneself that they are right. Actions done to each other in order to psychologically and physically damage someone are sadistic and are definitely sins and need God's forgiveness. Mistakes can be deadly but not sinful. A car c an blow a tire and hit someone and kill them that is an accident not a sin.Taking a gun an shooting an innocent person in order to kill or maim them is sinful. As humans our purpose is to point out others transgressions and try to help them become better people. We are not her to judge people and condemn each other for their mistakes and sins. That is only a false concept to our ego to allow our minds to think we are better people. Actually the only way to become a better person is have compassion and forgiveness for others because we all make mistakes and we are all sinners.

Angels Demons Chapter 74-79

74 Langdon saw what he was looking for a good ten yards before they reached it. Through the scattered tourists, the white marble ellipse of Bernini's West Ponente stood out against the gray granite cubes that made up the rest of the piazza. Vittoria apparently saw it too. Her hand tensed. â€Å"Relax,† Langdon whispered. â€Å"Do your piranha thing.† Vittoria loosened her grip. As they drew nearer, everything seemed forbiddingly normal. Tourists wandered, nuns chatted along the perimeter of the piazza, a girl fed pigeons at the base of the obelisk. Langdon refrained from checking his watch. He knew it was almost time. The elliptical stone arrived beneath their feet, and Langdon and Vittoria slowed to a stop – not overeagerly – just two tourists pausing dutifully at a point of mild interest. â€Å"West Ponente,† Vittoria said, reading the inscription on the stone. Langdon gazed down at the marble relief and felt suddenly naive. Not in his art books, not in his numerous trips to Rome, not ever had West Ponente's significance jumped out at him. Not until now. The relief was elliptical, about three feet long, and carved with a rudimentary face – a depiction of the West Wind as an angel-like countenance. Gusting from the angel's mouth, Bernini had drawn a powerful breath of air blowing outward away from the Vatican†¦ the breath of God. This was Bernini's tribute to the second element†¦ Air†¦ an ethereal zephyr blown from angel's lips. As Langdon stared, he realized the significance of the relief went deeper still. Bernini had carved the air in five distinct gusts†¦ five! What was more, flanking the medallion were two shining stars. Langdon thought of Galileo. Two stars, five gusts, ellipses, symmetry†¦ He felt hollow. His head hurt. Vittoria began walking again almost immediately, leading Langdon away from the relief. â€Å"I think someone's following us,† she said. Langdon looked up. â€Å"Where?† Vittoria moved a good thirty yards before speaking. She pointed up at the Vatican as if showing Langdon something on the dome. â€Å"The same person has been behind us all the way across the square.† Casually, Vittoria glanced over her shoulder. â€Å"Still on us. Keep moving.† â€Å"You think it's the Hassassin?† Vittoria shook her head. â€Å"Not unless the Illuminati hires women with BBC cameras.† When the bells of St. Peter's began their deafening clamor, both Langdon and Vittoria jumped. It was time. They had circled away from West Ponente in an attempt to lose the reporter but were now moving back toward the relief. Despite the clanging bells, the area seemed perfectly calm. Tourists wandered. A homeless drunk dozed awkwardly at the base of the obelisk. A little girl fed pigeons. Langdon wondered if the reporter had scared the killer off. Doubtful, he decided, recalling the killer's promise. I will make your cardinals media luminaries. As the echo of the ninth bell faded away, a peaceful silence descended across the square. Then†¦ the little girl began to scream. 75 Langdon was the first to reach the screaming girl. The terrified youngster stood frozen, pointing at the base of the obelisk where a shabby, decrepit drunk sat slumped on the stairs. The man was a miserable sight†¦ apparently one of Rome's homeless. His gray hair hung in greasy strands in front of his face, and his entire body was wrapped in some sort of dirty cloth. The girl kept screaming as she scampered off into the crowd. Langdon felt an upsurge of dread as he dashed toward the invalid. There was a dark, widening stain spreading across the man's rags. Fresh, flowing blood. Then, it was as if everything happened at once. The old man seemed to crumple in the middle, tottering forward. Langdon lunged, but he was too late. The man pitched forward, toppled off the stairs, and hit the pavement facedown. Motionless. Langdon dropped to his knees. Vittoria arrived beside him. A crowd was gathering. Vittoria put her fingers on the man's throat from behind. â€Å"There's a pulse,† she declared. â€Å"Roll him.† Langdon was already in motion. Grasping the man's shoulders, he rolled the body. As he did, the loose rags seemed to slough away like dead flesh. The man flopped limp onto his back. Dead center of his naked chest was a wide area of charred flesh. Vittoria gasped and pulled back. Langdon felt paralyzed, pinned somewhere between nausea and awe. The symbol had a terrifying simplicity to it. Angels & Demons â€Å"Air,† Vittoria choked. â€Å"It's†¦ him.† Swiss Guards appeared from out of nowhere, shouting orders, racing after an unseen assassin. Nearby, a tourist explained that only minutes ago, a dark-skinned man had been kind enough to help this poor, wheezing, homeless man across the square†¦ even sitting a moment on the stairs with the invalid before disappearing back into the crowd. Vittoria ripped the rest of the rags off the man's abdomen. He had two deep puncture wounds, one on either side of the brand, just below his rib cage. She cocked the man's head back and began to administer mouth to mouth. Langdon was not prepared for what happened next. As Vittoria blew, the wounds on either side of the man's midsection hissed and sprayed blood into the air like blowholes on a whale. The salty liquid hit Langdon in the face. Vittoria stopped short, looking horrified. â€Å"His lungs†¦Ã¢â‚¬  she stammered. â€Å"They're†¦ punctured.† Langdon wiped his eyes as he looked down at the two perforations. The holes gurgled. The cardinal's lungs were destroyed. He was gone. Vittoria covered the body as the Swiss Guards moved in. Langdon stood, disoriented. As he did, he saw her. The woman who had been following them earlier was crouched nearby. Her BBC video camera was shouldered, aimed, and running. She and Langdon locked eyes, and he knew she'd gotten it all. Then, like a cat, she bolted. 76 Chinita Macri was on the run. She had the story of her life. Her video camera felt like an anchor as she lumbered across St. Peter's Square, pushing through the gathering crowd. Everyone seemed to be moving in the opposite direction than her†¦ toward the commotion. Macri was trying to get as far away as possible. The man in the tweed jacket had seen her, and now she sensed others were after her, men she could not see, closing in from all sides. Macri was still aghast from the images she had just recorded. She wondered if the dead man was really who she feared he was. Glick's mysterious phone contact suddenly seemed a little less crazy. As she hurried in the direction of the BBC van, a young man with a decidedly militaristic air emerged from the crowd before her. Their eyes met, and they both stopped. Like lightning, he raised a walkie-talkie and spoke into it. Then he moved toward her. Macri wheeled and doubled back into the crowd, her heart pounding. As she stumbled through the mass of arms and legs, she removed the spent video cassette from her camera. Cellulose gold, she thought, tucking the tape under her belt flush to her backside and letting her coat tails cover it. For once she was glad she carried some extra weight. Glick, where the hell are you! Another soldier appeared to her left, closing in. Macri knew she had little time. She banked into the crowd again. Yanking a blank cartridge from her case, she slapped it into the camera. Then she prayed. She was thirty yards from the BBC van when the two men materialized directly in front of her, arms folded. She was going nowhere. â€Å"Film,† one snapped. â€Å"Now.† Macri recoiled, wrapping her arms protectively around her camera. â€Å"No chance.† One of the men pulled aside his jacket, revealing a sidearm. â€Å"So shoot me,† Macri said, amazed by the boldness of her voice. â€Å"Film,† the first one repeated. Where the devil is Glick? Macri stamped her foot and yelled as loudly as possible, â€Å"I am a professional videographer with the BBC! By Article 12 of the Free Press Act, this film is property of the British Broadcast Corporation!† The men did not flinch. The one with the gun took a step toward her. â€Å"I am a lieutenant with the Swiss Guard, and by the Holy Doctrine governing the property on which you are now standing, you are subject to search and seizure.† A crowd had started to gather now around them. Macri yelled, â€Å"I will not under any circumstances give you the film in this camera without speaking to my editor in London. I suggest you – â€Å" The guards ended it. One yanked the camera out of her hands. The other forcibly grabbed her by the arm and twisted her in the direction of the Vatican. â€Å"Grazie,† he said, leading her through a jostling crowd. Macri prayed they would not search her and find the tape. If she could somehow protect the film long enough to – Suddenly, the unthinkable happened. Someone in the crowd was groping under her coat. Macri felt the video yanked away from her. She wheeled, but swallowed her words. Behind her, a breathless Gunther Glick gave her a wink and dissolved back into the crowd. 77 Robert Langdon staggered into the private bathroom adjoining the Office of the Pope. He dabbed the blood from his face and lips. The blood was not his own. It was that of Cardinal Lamasse, who had just died horribly in the crowded square outside the Vatican. Virgin sacrifices on the altars of science. So far, the Hassassin had made good on his threat. Langdon felt powerless as he gazed into the mirror. His eyes were drawn, and stubble had begun to darken his cheeks. The room around him was immaculate and lavish – black marble with gold fixtures, cotton towels, and scented hand soaps. Langdon tried to rid his mind of the bloody brand he had just seen. Air. The image stuck. He had witnessed three ambigrams since waking up this morning†¦ and he knew there were two more coming. Outside the door, it sounded as if Olivetti, the camerlegno, and Captain Rocher were debating what to do next. Apparently, the antimatter search had turned up nothing so far. Either the guards had missed the canister, or the intruder had gotten deeper inside the Vatican than Commander Olivetti had been willing to entertain. Langdon dried his hands and face. Then he turned and looked for a urinal. No urinal. Just a bowl. He lifted the lid. As he stood there, tension ebbing from his body, a giddy wave of exhaustion shuddered through his core. The emotions knotting his chest were so many, so incongruous. He was fatigued, running on no food or sleep, walking the Path of Illumination, traumatized by two brutal murders. Langdon felt a deepening horror over the possible outcome of this drama. Think, he told himself. His mind was blank. As he flushed, an unexpected realization hit him. This is the Pope's toilet, he thought. I just took a leak in the Pope's toilet. He had to chuckle. The Holy Throne. 78 In London, a BBC technician ejected a video cassette from a satellite receiver unit and dashed across the control room floor. She burst into the office of the editor-in-chief, slammed the video into his VCR, and pressed play. As the tape rolled, she told him about the conversation she had just had with Gunther Glick in Vatican City. In addition, BBC photo archives had just given her a positive ID on the victim in St. Peter's Square. When the editor-in-chief emerged from his office, he was ringing a cowbell. Everything in editorial stopped. â€Å"Live in five!† the man boomed. â€Å"On-air talent to prep! Media coordinators, I want your contacts on line! We've got a story we're selling! And we've got film!† The market coordinators grabbed their Rolodexes. â€Å"Film specs!† one of them yelled. â€Å"Thirty-second trim,† the chief replied. â€Å"Content?† â€Å"Live homicide.† The coordinators looked encouraged. â€Å"Usage and licensing price?† â€Å"A million U.S. per.† Heads shot up. â€Å"What!† â€Å"You heard me! I want top of the food chain. CNN, MSNBC, then the big three! Offer a dial-in preview. Give them five minutes to piggyback before BBC runs it.† â€Å"What the hell happened?† someone demanded. â€Å"The prime minister get skinned alive?† The chief shook his head. â€Å"Better.† At that exact instant, somewhere in Rome, the Hassassin enjoyed a fleeting moment of repose in a comfortable chair. He admired the legendary chamber around him. I am sitting in the Church of Illumination, he thought. The Illuminati lair. He could not believe it was still here after all of these centuries. Dutifully, he dialed the BBC reporter to whom he had spoken earlier. It was time. The world had yet to hear the most shocking news of all. 79 Vittoria Vetra sipped a glass of water and nibbled absently at some tea scones just set out by one of the Swiss Guards. She knew she should eat, but she had no appetite. The Office of the Pope was bustling now, echoing with tense conversations. Captain Rocher, Commander Olivetti, and half a dozen guards assessed the damage and debated the next move. Robert Langdon stood nearby staring out at St. Peter's Square. He looked dejected. Vittoria walked over. â€Å"Ideas?† He shook his head. â€Å"Scone?† His mood seemed to brighten at the sight of food. â€Å"Hell yes. Thanks.† He ate voraciously. The conversation behind them went quiet suddenly when two Swiss Guards escorted Camerlegno Ventresca through the door. If the chamberlain had looked drained before, Vittoria thought, now he looked empty. â€Å"What happened?† the camerlegno said to Olivetti. From the look on the camerlegno's face, he appeared to have already been told the worst of it. Olivetti's official update sounded like a battlefield casualty report. He gave the facts with flat efficacy. â€Å"Cardinal Ebner was found dead in the church of Santa Maria del Popolo just after eight o'clock. He had been suffocated and branded with the ambigrammatic word ‘Earth.' Cardinal Lamasse was murdered in St. Peter's Square ten minutes ago. He died of perforations to the chest. He was branded with the word ‘Air,' also ambigrammatic. The killer escaped in both instances.† The camerlegno crossed the room and sat heavily behind the Pope's desk. He bowed his head. â€Å"Cardinals Guidera and Baggia, however, are still alive.† The camerlegno's head shot up, his expression pained. â€Å"This is our consolation? Two cardinals have been murdered, commander. And the other two will obviously not be alive much longer unless you find them.† â€Å"We will find them,† Olivetti assured. â€Å"I am encouraged.† â€Å"Encouraged? We've had nothing but failure.† â€Å"Untrue. We've lost two battles, signore, but we're winning the war. The Illuminati had intended to turn this evening into a media circus. So far we have thwarted their plan. Both cardinals' bodies have been recovered without incident. In addition,† Olivetti continued, â€Å"Captain Rocher tells me he is making excellent headway on the antimatter search.† Captain Rocher stepped forward in his red beret. Vittoria thought he looked more human somehow than the other guards – stern but not so rigid. Rocher's voice was emotional and crystalline, like a violin. â€Å"I am hopeful we will have the canister for you within an hour, signore.† â€Å"Captain,† the camerlegno said, â€Å"excuse me if I seem less than hopeful, but I was under the impression that a search of Vatican City would take far more time than we have.† â€Å"A full search, yes. However, after assessing the situation, I am confident the antimatter canister is located in one of our white zones – those Vatican sectors accessible to public tours – the museums and St. Peter's Basilica, for example. We have already killed power in those zones and are conducting our scan.† â€Å"You intend to search only a small percentage of Vatican City?† â€Å"Yes, signore. It is highly unlikely that an intruder gained access to the inner zones of Vatican City. The fact that the missing security camera was stolen from a public access area – a stairwell in one of the museums – clearly implies that the intruder had limited access. Therefore he would only have been able to relocate the camera and antimatter in another public access area. It is these areas on which we are focusing our search.† â€Å"But the intruder kidnapped four cardinals. That certainly implies deeper infiltration than we thought.† â€Å"Not necessarily. We must remember that the cardinals spent much of today in the Vatican museums and St. Peter's Basilica, enjoying those areas without the crowds. It is probable that the missing cardinals were taken in one of these areas.† â€Å"But how were they removed from our walls?† â€Å"We are still assessing that.† â€Å"I see.† The camerlegno exhaled and stood up. He walked over to Olivetti. â€Å"Commander, I would like to hear your contingency plan for evacuation.† â€Å"We are still formalizing that, signore. In the meantime, I am faithful Captain Rocher will find the canister.† Rocher clicked his boots as if in appreciation of the vote of confidence. â€Å"My men have already scanned two-thirds of the white zones. Confidence is high.† The camerlegno did not appear to share that confidence. At that moment the guard with a scar beneath one eye came through the door carrying a clipboard and a map. He strode toward Langdon. â€Å"Mr. Langdon? I have the information you requested on the West Ponente.† Langdon swallowed his scone. â€Å"Good. Let's have a look.† The others kept talking while Vittoria joined Robert and the guard as they spread out the map on the Pope's desk. The soldier pointed to St. Peter's Square. â€Å"This is where we are. The central line of West Ponente's breath points due east, directly away from Vatican City.† The guard traced a line with his finger from St. Peter's Square across the Tiber River and up into the heart of old Rome. â€Å"As you can see, the line passes through almost all of Rome. There are about twenty Catholic churches that fall near this line.† Langdon slumped. â€Å"Twenty?† â€Å"Maybe more.† â€Å"Do any of the churches fall directly on the line?† â€Å"Some look closer than others,† the guard said, â€Å"but translating the exact bearing of the West Ponente onto a map leaves margin for error.† Langdon looked out at St. Peter's Square a moment. Then he scowled, stroking his chin. â€Å"How about fire? Any of them have Bernini artwork that has to do with fire?† Silence. â€Å"How about obelisks?† he demanded. â€Å"Are any of the churches located near obelisks?† The guard began checking the map. Vittoria saw a glimmer of hope in Langdon's eyes and realized what he was thinking. He's right! The first two markers had been located on or near piazzas that contained obelisks! Maybe obelisks were a theme? Soaring pyramids marking the Illuminati path? The more Vittoria thought about it, the more perfect it seemed†¦ four towering beacons rising over Rome to mark the altars of science. â€Å"It's a long shot,† Langdon said, â€Å"but I know that many of Rome's obelisks were erected or moved during Bernini's reign. He was no doubt involved in their placement.† â€Å"Or,† Vittoria added, â€Å"Bernini could have placed his markers near existing obelisks.† Langdon nodded. â€Å"True.† â€Å"Bad news,† the guard said. â€Å"No obelisks on the line.† He traced his finger across the map. â€Å"None even remotely close. Nothing.† Langdon sighed. Vittoria's shoulders slumped. She'd thought it was a promising idea. Apparently, this was not going to be as easy as they'd hoped. She tried to stay positive. â€Å"Robert, think. You must know of a Bernini statue relating to fire. Anything at all.† â€Å"Believe me, I've been thinking. Bernini was incredibly prolific. Hundreds of works. I was hoping West Ponente would point to a single church. Something that would ring a bell.† â€Å"Fuco,† she pressed. â€Å"Fire. No Bernini titles jump out?† Langdon shrugged. â€Å"There's his famous sketches of Fireworks, but they're not sculpture, and they're in Leipzig, Germany.† Vittoria frowned. â€Å"And you're sure the breath is what indicates the direction?† â€Å"You saw the relief, Vittoria. The design was totally symmetrical. The only indication of bearing was the breath.† Vittoria knew he was right. â€Å"Not to mention,† he added, â€Å"because the West Ponente signifies Air, following the breath seems symbolically appropriate.† Vittoria nodded. So we follow the breath. But where? Olivetti came over. â€Å"What have you got?† â€Å"Too many churches,† the soldier said. â€Å"Two dozen or so. I suppose we could put four men on each church – â€Å" â€Å"Forget it,† Olivetti said. â€Å"We missed this guy twice when we knew exactly where he was going to be. A mass stakeout means leaving Vatican City unprotected and canceling the search.† â€Å"We need a reference book,† Vittoria said. â€Å"An index of Bernini's work. If we can scan titles, maybe something will jump out.† â€Å"I don't know,† Langdon said. â€Å"If it's a work Bernini created specifically for the Illuminati, it may be very obscure. It probably won't be listed in a book.† Vittoria refused to believe it. â€Å"The other two sculptures were fairly well-known. You'd heard of them both.† Langdon shrugged. â€Å"Yeah.† â€Å"If we scan titles for references to the word ‘fire,' maybe we'll find a statue that's listed as being in the right direction.† Langdon seemed convinced it was worth a shot. He turned to Olivetti. â€Å"I need a list of all Bernini's work. You guys probably don't have a coffee-table Bernini book around here, do you?† â€Å"Coffee-table book?† Olivetti seemed unfamiliar with the term. â€Å"Never mind. Any list. How about the Vatican Museum? They must have Bernini references.† The guard with the scar frowned. â€Å"Power in the museum is out, and the records room is enormous. Without the staff there to help – â€Å" â€Å"The Bernini work in question,† Olivetti interrupted. â€Å"Would it have been created while Bernini was employed here at the Vatican?† â€Å"Almost definitely,† Langdon said. â€Å"He was here almost his entire career. And certainly during the time period of the Galileo conflict.† Olivetti nodded. â€Å"Then there's another reference.† Vittoria felt a flicker of optimism. â€Å"Where?† The commander did not reply. He took his guard aside and spoke in hushed tones. The guard seemed uncertain but nodded obediently. When Olivetti was finished talking, the guard turned to Langdon. â€Å"This way please, Mr. Langdon. It's nine-fifteen. We'll have to hurry.† Langdon and the guard headed for the door. Vittoria started after them. â€Å"I'll help.† Olivetti caught her by the arm. â€Å"No, Ms. Vetra. I need a word with you.† His grasp was authoritative. Langdon and the guard left. Olivetti's face was wooden as he took Vittoria aside. But whatever it was Olivetti had intended to say to her, he never got the chance. His walkie-talkie crackled loudly. â€Å"Commandante?† Everyone in the room turned. The voice on the transmitter was grim. â€Å"I think you better turn on the television.†

A character analysis of john irving’s novel ‘a prayer for owen meany Essay

Applying to the theme of religious faith and personal fate in his famous novel A Prayer for Owen Meany, John Irving discusses this crucial issue through the narrator John Wheelwright whose unusual understanding of God and extreme political views uncover inner doubts of people in relation to Christianity. In this regard, John Wheelwright is portrayed as a person who is lost in his wrong worship and who is destroyed by his obsession of his closest friend Owen Meany, failing to find the true meaning of his life. In the novel A Prayer for Owen Meany John Wheelwright, the offspring of the noble family, uncovers the story of his upbringing, religious faith and his relations with Owen Meany who is usually treated by the narrator as a symbol of Christianity. In fact, John’s belief in God is based not on his faith, but on his belief in Owen Meany. As the narrator claims at the beginning of the novel, â€Å"I am a Christian because of Owen Meany. I make no claims to have a life in Christ, or with Christ – and certainly not for Christ, which I’ve heard some zealots claim† (Irving 1). John acknowledges that he has no profound knowledge of the Bible, although he regularly visits the Church and is used to repeat some passages from this Holy book. Such a contradictory attitude towards Christian religion reveals inner doubts of John, his inability to accept all religious dogmas created by the Church and his attempts to form his own belief. This is especially obvious from the following words of John Wheelwright: â€Å"†¦ but every study of the gods, of everyone’s gods, is a revelation of vengeance toward the innocent (This is a part of my particular faith that meets with opposition from my Congregationalist and Episcopalian and Anglican friends)† (Irving 7). Thus, the narrator eliminates some wrong assumptions of Christianity, substituting them with his own concepts and demonstrating his ironical attitude towards the existing images of gods. Applying to such a portrayal of the principal character, Irving makes an attempt to show that a person’s fate depends on his/her actions and his/her ability to critically evaluate social and religious systems of the modern world. But despite his acquired wisdom, John is unable to accept reality; instead he constantly returns to the past, failing to accept the changes that occur in the present. As John Wheelwright rightfully states, â€Å"Your memory is a monster; you forget – it doesn’t. It simply files things away. It keeps things for you, or hides things from you – and summons them to your recall with a will of its own. You think you have a memory; but it has you! † (Irving 35). As a result, in his middle age John appears to occupy a neutral position in life, while his friend Owen Meany is overwhelmed with powerful emotions and energy in his religious activity. Despite the fact that John claims to believe in God, he also expresses anger towards his religious faith and opposes Regan ruling. John is greatly influenced by Owen, but deep inside he is not able to decide whether there is God or not; it is this doubt that makes John claim at the end of the novel: â€Å"watch out for people who call themselves religious; make sure you know what they mean – make sure they know what they mean† (Irving 572). The writer intentionally repeats the phrase two times to intensify the meaning of the whole narration and to reveal the importance of a personal choice; John is so influenced by Owen’s faith that he is not able to overcome the limitations of Christian dogmas and seek his own understanding of some crucial issues of existence. On the other hand, inner doubts of the narrator contribute to the formation of such negative traits as self loss and indecisiveness in him. As John Wheelwright points out in the letter to Owen, â€Å"You’re always telling me I don’t have any faith†¦ Well – don’t you see – that’s a part of what makes me so indecisive. I wait to see what will happen next – because I don’t believe that anything I might decide to do would matter† (Irving 504). Perhaps, John’s childhood experience results in his self loss and his unusual worship of Owen; the narrator constantly wants to find out the truth about his father, but mother’s death deprives John of this opportunity. Simultaneously, John losses both his parents and long-expected truth, hoping that somehow God in the face of Owen will give him the clue to his birth. However, as John becomes older, he finds it impossible to blindly follow everything that he believed in youth; for instance, when at the end of the narration Mr. Meany tells that Owen appeared as a result of a virgin birth and, thus, was similar to Christ, John expresses doubts as to this news. In fact, throughout the novel the narrator makes an attempt to overcome his doubts and understand the essence of religion, but he fails to find an appropriate balance between his doubts and his religious belief. The death of Owen relieves John of the necessity to differentiate between two excesses. However, John Wheelwright still has to decide whether to believe in the existence of God or not, but the novel ends without this answer. The narrator’s ambiguity intensifies the narration, revealing that John is psychologically destroyed by certain events of his life. Although John tells the story of another person, he implicitly expresses his views on some religious and political issues, demonstrating his inability to overcome the events that occurred with him in the past. Searching for his identity, John tries to explain his profound relations with Owen and his unusual religious faith, but his explanation is rather complicated. John makes an attempt to understand Owen and his belief in God, but everything that the narrator manages to achieve is intricacy. As John claims at the end of the novel, â€Å"How could Owen Meany have known what he ‘knew’? It’s no answer, of course, to believe in accidents, or in coincidences; but is God really a better answer? † (Irving 571). Thus, on the one hand, the narrator challenges the necessity to believe in God, but, on the other hand, John Wheelwright continues to pray for Owen Meany’s resurrection. To some extent, John explains this ambiguity at the beginning of the narration: â€Å"I was baptized in the Congregational Church, and after some years of fraternity with the Episcopalian†¦ I became rather weak in my religion: in my teens I attended a non-denomination church. Then I became an Anglican† (Irving 1). The variety of churches that John attended contributed to John’s inability to choose; this inability concerns not only his religious views, but also his political and social concepts. John believes in God only in view of Owen’s religious belief, he criticizes political leaders and their actions through Owen’s understanding of political events. As John remembers, â€Å"The only way you can get Americans to notice anything is to tax them or draft them or kill them, Owen said† (Irving 431). John’s life appears to be closely connected with Owen’s life and ideas, and after Owen’s death, Johns finds it difficult to live. Although John builds new life in Canada, finds an interesting job and constantly visits church, he feels that he lacks something important, the sense of life that he had while Owen was alive. In his middle age the narrator has no family and no sexual relations with women; he criticizes Iran scandal and the Vietnam War. His worship of Owen destroys John’s personality, depriving him of the possibility to create a personal life; as John admits, â€Å"I make no claims to be especially pious; I have a church-rummage faith – the kind that needs patching up every weekend. What faith I have I owe to Owen Meany, a boy I grew up with. It is Owen who made me a believer† (Irving 2). Throughout the narration Irving implicitly shows that such worship may be dangerous for a person, especially if it is formed in early childhood and youth; this childhood worship may destroy a person in adulthood. As John narrates of his early years and of his present life, he simultaneously reveals various psychological problems; he is a person who is unable to adjust to the existing political and social life in Canada, rejecting his status as an American citizen. The narrator is not able to find his true self, because he chooses wrong paths and wrong ways, although, contrary to Owen, he belongs to a well-known family that lives in New Hampshire. According to John, â€Å"I was a Wheelwright – that was the family name that counted in our town: the Wheelwrights† (Irving 6). However, growing up in a rather unconventional family, John follows the faith chosen by his best friend Owen, but his belief in God is different from Owen’s belief. John believes in a person who embodies God, but not in God, and this personification deprives John of the possibility to find true faith that will help him to overcome his inner problems. John’s criticism of Regan ruling is based on the fact of Owen’s death rather than on any specific political ideology. He does not want to accept Owen’s death and he implicitly accuses American government in his friend’s death. This oddness of the narrator is exposed to harsh satire by Irving who reveals the impact of worship on the behavior and thinking of John Wheelwright. Other characters of the novel explain John’s psychological problems as a result of his complex childhood: â€Å"You keep doing that and you’ll make yourself sterile’, said my cousin Hester, to whom every event of our shared childhood was either sexually exhilarating or sexually damaging† (Irving 54). Thus, Irving applies to some aspects of psychoanalysis in his portrayal of John, trying to find several explanations of his unusual behavior. John’s childhood experience and especially his ambiguous religious faith transform the narrator into a cripple. As John moves to Canada, he leads a secluded life there, working as a teacher of English, but being obsessed with his thoughts and recollections. John’s criticism of social and political life conceals his anger as to Owen’s death; although he accuses American government and God in this tragedy, he hurts himself for this death. Being a virgin in his middle age, the narrator reveals powerful emotions only when he reads some facts about crimes in the United States, as if seeking relief in the news that manage to suppress his pain. However, nothing can give John a hope after Owen’s death; his friendship with Owen was so prolonged and so strong that John continued to feel the presence of Owen. Even after death Owen influences John and controls all his actions, although only on a spiritual level. John Wheelwright believes in Owen’s support as if Owen is God; in fact, the narrator identifies Owen with an image of God, hoping that one day they will meet again. When Owen implicitly helps him to find his father and his identity, John is convinced of Owen’s divine origin, feeling that â€Å"Owen Meany was very near† (Irving 542). The mystery of his birth troubles the narrator, he is in search of various ways to find out the truth, because he feels that he is not able to lead a normal life without recognizing his origin. John’s faith in Owen is so powerful that he believes that Owen saves his life several times throughout the narration. Owen is John’s closest friend, despite the fact that Owen is the reason of the death of John’s mother. Creating a new life in Canada, John constantly thinks how Owen would act in various circumstances. In this regard, Irving demonstrates that John’s faith in Owen is intensified after Owen’s death; John is unable to forget a person who accompanied and supported him for many years. Through Owen, John tries to find answers to some crucial issues of existence. In his early years John makes constant attempts to repeat everything after his friend; however, he feels that he is not able to be like Owen, although he admires him. In his adulthood John also follows Owen’s advice, moving to Canada and finding a place in the Bishop Strachan High School. Thus, it is Owen who controls John’s fate, considering that he has such a right. Applying to a rather prosaic speech, the narrator contrasts himself to Owen and his inner power. The narrator even emphasizes Owen’s words throughout the novel, trying to prove Owen’s greatness and his impact on John’s personality. Owen’s authority is explicitly vivid, as the novel progresses, but Owen dies, failing to realize that, to some extent, his influence on John possesses some negative features. The fact is that faith inspired by Owen in the heart of John destroys the narrator, because this faith is a label that is not able to provide the character with real belief and understanding of the world around him. John appears to depend much on Owen, being unable to lead an independent life and experiencing considerable insecurity. When John has to take a decision, he applies to Owen for advice or simply evaluates something from Owen’s point of view. After Owen’s death John starts to believe that there are no coincidences in this world, everything is predestined; the similar words are expressed by Owen when he was alive: â€Å"Owen Meany believed that ‘coincidence’ was a stupid, shallow refuge sought by stupid, shallow people who were unable to accept the fact that their lives were shaped by a terrifying and awesome design† (Irving 186). However, following Owen’s thoughts, John Wheelwright ignores the profound understanding of the occurred events; although he accepts the fact of his mother’s death from the hands of Owen, he does not want to think why God punishes him in such a way. John seems to be the only person who has such a strong belief in Owen and in miracles that are connected with him. In this regard, the narrator evokes sympathy, because his wrong worship saved him only in early years. In adulthood he experiences discomfort over many things; although John claims to believe in God, he does not really understand the essence of Christian religion. Although he criticizes some political events, he does nothing to change the situation; for instance, he prefers to injure himself to avoid taking part in Vietnam War. The narrator is afraid of being destroyed by this War, but in reality he is destroyed by Owen. Throughout the narration John expresses contradictory viewpoints as to certain aspects of life; in particular, at the beginning of the novel he tells that faith should not be based on any miracles, but finally he accepts these miracles as an integral part of his own faith. Despite the fact that John constantly cites some passages from the Bible, he admits that he does not really know this Holy book; he simply wants to support the ideas of Owen with these passages. Thus, the narrator does not sincerely believe in God and he does not take part in any social or political activity. John Wheelwright lives in his own secluded world, keeping other people out of this world and believing only in Owen. John’s faith is intertwined with inner doubts, and faith can not survive if these doubts are not suppressed. True faith is based on trust, but Owen expresses the contrary idea that evokes doubts in the narrator. According to Owen, â€Å"That isn’t exactly what faith is†¦ I don’t believe everything that pops into my head – faith is a little more selective than that† (Irving 472). In fact, John does not realize his dependence on Owen until Owen’s death, he does not realize his weakness, and he has to face the consequences of his ignorance. As the narrator writes to Owen, â€Å"What good does it do to make whatever decision you’re talking about? What good does courage do – when what happens next is up for grabs? † (Irving 504). As a result of his dependence on Owen, John is afraid of life, he is afraid of any changes that may destroy his little world. Growing up with Owen in New Hampshire, John feels that this friendship is the only thing that supports him throughout his life. The narrator is not able to broaden his horizons and find other interesting things; his strange worship prevents him from finding the true meaning of life. John’s life is reflected in Owen’s life, thus, despite the fact that Owen and John share the similar life principles, their ways of life are different, as John has no personal life, he simply makes an attempt to resemble Owen. Contrary to Owen who manages to find the goal in life, John is unable to understand his own predestination. The narrator lives in the light of Owen, failing to find his own light; as a result, his life is spiritually destroyed after Owen’s death. Although John brings up some life issues, he is not able to understand what is crucial in his own life. Thus, at the end of the narration John turns to prayers, as if hoping to find solace in them, to find the meaning of his further life, but he is still full of doubts that prevent him from accepting reality. Although John Wheelwright is already an adult, to some extent, he remains a little boy who is in search of comfort and understanding and who needs another person to guide him through life. With Owen’s death, John collides with inner conflicts, concerning his faith. Perhaps, these conflicts can be explained by the fact that absolute faith created by Owen Meany is impossible for such persons as John; he is not Owen, although he tries to resemble him. John’s upbringing and life experience are different from that of Owen’s, thus John fails to fully believe in the things believed by Owen. Due to John’s inner doubts and inability to create a personal life, John usually turns to sarcasm in his evaluation of certain events. Instead of analyzing political or religious issues, the narrator treats them through his personal experience. Thus, John’s insight is restricted by his infirm intellect; the faith that he seems to have does not shed light on the narrator’s life; instead it transforms him into a person who experiences constant pain and obvious displeasure. Unlike Owen who finds power and inspiration in his belief, John is unable to experience the similar inspiration. He appears to be a tool in the hands of Owen who utilizes the narrator to his own liking, persuading John that he is a God’s instrument. It is Owen who performs home tasks for John, it is Owen who makes him receive a major degree in English, it is Owen who saves him from Vietnam and who persuades him to move to Canada. John is so used to this guidance and dependence that he does not realize that Owen manipulates him, depriving John of the possibility to become a mature adult in his middle age. Influenced by Owen, John Wheelwright prefers to keep in the background of Owen’s life, implicitly challenging the issues of true faith. Works Cited Irving, John. A Prayer for Owen Meany. New York, NY: Ballantine Books, 1990.

The Fall of Rome: Political and Economic Corruption

Roman Empire kneeled to the power of political and cone mimic corruption, foreign invasions, along with natural disasters and diseases. The Roman Empire was assumed to be a sturdy empire, however, Rome expel oriented much corruption, both politically and economically. Rome had a total of 19 e emperors from 235285 CE ( Document A ). Thirteen of the nineteen emperors either were, or were assumed to have been, assassinated. A pattern Of assassination in royalty alludes to the FAA CT that people were unhappy with their rulers.Along with that, a constant change of emperors ma ekes it hard for anything to get done, because as the new emperor takes over priorities often change. The Roman economic and justice system was very much in favor of the wealthy: â€Å"†¦ A [wee Itty lawbreaker]†¦ Is not punished for his injustice, while a poor man.. Undergoes I gal penalty. † ( Document E ). This injustice caused for the poor people to reject their own home, the peep eel became less willing to fight to keep their empire thriving.Rome, though viewed as this large, strong, and unbreakable empire, this was not the case. Negligence lead to the abandonment of the customary armor and parade grog undo drills. The Roman soldiers fought without armor because the armor became too heavy, f or the men never wore them.. Michael Grant states that, â€Å"There can be little doubt that the wee nesses of the late Roman army was largely due to the eventual failure† ( Document B ). The lack of trained soldiers resulted in many issues, as illustrated in Document C Rome was open to many different invaders.Rome lacks the natural borders some ancient civilizations such as G rice possessed. Due to the lack of borders The Hunks easily overthrew the Roman people. Sins e â€Å"The Hunks exceed any definition of savagery† ( Document D) he untrained, lazy, and unprotected Roman soldiers had no chance of victory. Natural disasters and plagues caused for a quick drop of Roman population; † Fifty thousand persons had lost their lives in the flood [in the city Of Alexandria all en]†¦ ( Document With so many lives lost the amount of people to help protect the country fell greatly. This lack of people make it even easier for the already brutally superior Hunks to ova retorts the â€Å"almighty' Rome. If Rome had not been affected by such strong disasters and disease more soldiers would have been able to contribute to fighting the Hunks. Rome could have lasted for a longer period Of time if not for the political and economic corruption.The empire may still be striving today if the Roman soldiers would have remained diligent, still practicing their marches. Growing accustomed to their armor so t hey could actually wear it in combat. If it weren't for the lack of natural borders in the large MME ire the Hunks may not have been able to inundate the land. Another document that would be into resting to read would be about how the Hung warriors felt whi le invading and conquering this foreign land.

Analysis of The Bet by Anton Chekhov

The Bet is a short story that explores a moral theme regarding the value of human life. However, the story is constructed with an important ironic twist that brings the reader back to the original context of the bet (if the lawyer could endure solitary confinement for fifteen years), and presents an unexpected result. One can ultimately see that Anton Chekhov presents the readers with two different paths in the story. One of them is the banker, who refuses to face his own morality and the other is the lawyer (prisoner) who actually faces his own morality, but falls into despair because he is so disconnected from the outside world, even after gaining so much knowledge. These two characters may thrive on change, but they both alter their own human values in great ways.The banker, a spoiled and pampered man, is very nervous and gets himself carried away by excitement at the time he makes a bet with the lawyer. This is shown when he says, Fifteen! DoneGentlemen, I stake two millions. Chekhov shows the reader that this not the impulsiveness of youth since he describes it as excitability, which he could not get over even in advancing years. Later in the story, Chekhov paints the portrait of a cowardly man who lacks the courage to endure reality. One day before the lawyer is to be granted his freedom, the banker becomes irritated and anxious, The only escape from bankruptcy and disgraceis that the man should die. At this point, the reader can trace the bankers path from boastfully making a foolish bet to being the one to give up all that he had staked, and conclude that his self-values have reached their all time low.On the other hand, the lawyer, an older and wiser man, shows his dynamic characteristics as he changes dramatically in the course of the 15 year bet. The lawyers character completely transforms from being an arrogant, young man, in to a feeble, cynical, yet more intelligent man.